Showing posts with label chatcafe. Show all posts
Showing posts with label chatcafe. Show all posts

Tuesday, 10 March 2015

THE AMAZING RACIST BY CHHIMI TENDUF-LA

Author Chhmi Tenduf-La

STATUTORY WARNING: Long read. Lots of laughter. 
Witty and poignant. Two words that best describes Sri Lankan author Chhimi Tenduf-La's debut novel The Amazing Racist. It is warm and filled with pathos in its depiction of the lives of two men — a racist, cancer-stricken Sri Lankan father-in-law and a British son-in-law. The men draw the readers into their lives. And unknowingly, Thilak and Eddie grow on you. We spoke to the 40-year-old author who sports a polished pair of funny bones. But before that, here's a synopsis of The Amazing Racist.


The Amazing Racist
If Eddie Trusted, an English schoolteacher in Colombo, wants to marry Menaka, it is Thilak Rupasinghe, her orthodox terror of a father, whom he must woo. Eddie tries to connect with Thilak in desperate ways. Even after marriage Eddies endures Tilak's taunts. And when Menaka leaves Eddie for another man, Eddie becomes the caretaker of the old man. But will he ever be good enough for Thilak who calls Eddie a "white bugger" and who hates the colour of his skin?
Published by Hachette India. Rs.399 

Let's start at the beginning. You are half-Tibetan and half-British and have lived in many countries. How did you land in Sri Lanka?
My (British) mother was born in Simla, India, as her father was working there at the time. My father was born in Darjeeling and went to St Joseph's before being sent to Phillip's Exeter Academy in the States. He was actually commissioned by Doubleday to write a book about being a Tibetan in difficult times - but he never finished it. His family left Tibet because of the Chinese.

My paternal great grandfather was a favourite of the 13th Dalai Lama. His name was Sonam Laden La and he was known as Sardar Bahadur (a British title conferred on him). He would also answer to titles such as Lord Chamberlain of the Court of Tashi Lumpo (a title specially conferred on him by the 13th Dalai Lama) Depon (meaning General Commander in Chief) and Dzaza (meaning Lord).
I was born in Oxford and moved to Hong Kong aged 6 months, then back to England at 5. A year later we moved to Delhi because my grandfather died and my father wanted to be close enough to help out with the family hotel, the Windamere in Darjeeling. Whilst in Delhi, I am told we played often with Rajiv and Sonia Gandhi’s kids at Vivek Bharat Ram’s house, but I was too young to be able to say for sure whether my parents exaggerated this story or not.

My father wanted to settle down in a Buddhist country and we knew Sri Lanka well from holidays; a few months after arriving my parents had set up the Colombo International School, where I was educated myself until I went to Eton College. Amongst my peers there were Jeffrey Archer’s son, James, Bear Grylls and Prince Dipendra of Nepal who gunned down his family years later. I went to Durham University and then worked in London for a couple of years before returning to Sri Lanka to help run Elizabeth Moir School, my mother’s third school.

And you are now married to a Sri Lankan...

My wife, a former criminal lawyer, was born in Australia to Sri Lankan parents, so she is a good mix of East and West. She speaks to me in an Australian accent, and she speaks to her work colleagues with a Sri Lankan accent which she thinks is authentic but she sounds like an American trying to mimic an Indian accent. We married in 2011 under a banyan tree. She was the one who encouraged me to take writing seriously.

Are your in-laws in The Amazing Racist? 
Sadly, no. We’re building a house at the moment so had to sell our apartment and move in with them, so it would have been a mistake to write about them. My father-in-law is the most laidback non-racist man in the world. My mother-in-law is as original a character as you will ever meet. Comedy gold. She will be the subject of my third book as long as we have moved out by then.

Where and when did The Amazing Racist come to life? 

I am not one hundred percent sure, but I think it was at a traditional wedding of a foreign friend to a Sri Lankan girl. He had no idea what was going on; the priest was dressed up in sarong, but wore a Madonna headset and was chanting gibberish in a helium voice. I could see my friend trying to follow what he was saying but he was doing all the wrong things, his father-in-law cringing next to him. There, on a stage in front of me, was a showcase of how different cultures can be.


You say that 'Uncle Thilak' is partially modeled after your dad. Which part?

My father would sometimes blast his employees, whilst wearing a wig, fake nose and stick-on twirling moustache. People never knew when they were meant to laugh and when they were meant to be serious. He would terrify dinner guests with ghost stories and very rarely give anyone else the opportunity to speak. He was a real joker. He was also incredibly strong and brave and beat terminal cancer twice, like Thilak, whilst smoking, drinking and playing golf. That’s where the similarities end as, unlike Thilak, he was absolutely devoted to his wife and kids. We always came first, and God help anyone who ever tried to take us on if he was around. In fact, he always said cancer would never beat him until we were old enough to look after my mother and he kept his word. And he was not a racist.

What I love about this story is the relationship  between the cranky, powerful, cancer-stricken, racist old man and the most ordinary, almost weak, Eddie  -- it unfolds almost organically without being sappy and in-your-face Bollywoodish (it could've easily gone that route). How easy or difficult was it breathe life into them?

That’s very flattering but I honestly don’t know. I’m not sure if I had any ideas other than that this would be an odd couple relationship. I just sat down and wrote about two types of people I knew well. Their interactions seemed natural to me.  

By the way, did you go to a writing school?
I have never been to writing school, but am fully aware that I have a long way to go as a writer. Thus, I take advice and criticism quite well; or if I don’t, I learn from it.

For an outsider, you have got the Sri Lankan culture down to a pat in the novel. What is it that you absolutely adore about them and what's the one thing about Sri Lankans. And what about them drives you crazy?

We arrived here just before the riots of 1983. I know the country better than I know any other; I feel like an insider who can make fun of the country, but if someone else did so I would defend it vehemently. Sri Lankans love a good laugh and very rarely take themselves too seriously; they can be self-deprecating, far too honest about weight gain and ageing, a bit sensitive, but overall just very kind. They are abysmal drivers though and old wives’ tales here hold a bit too much power over people, from drinking milk and eating white rice when pregnant in order to have a fair child, to rubbing cologne on your head if you have a headache. There are a lot of similarities with India. I also love that Sri Lanka is small enough that it makes it realistic to aspire to be the best in the country at something. Aged 11, I was national freestyle, breaststroke and springboard diving champion, then I went to England and got thrashed.

Most debut novels are autobiographical. Even though 99% of authors deny it (but nobody believes them, really). How about The Amazing Racist?

A friend of mine said she struggled to read this book without thinking Eddie Trusted was me, until she came across the school owner, Jimmy Walsh, who looked like Keanu Reeves; then she knew that’s who I was basing on myself.  She was right, even though I look nothing like Keanu- it was more the underlying vanity of it. I don’t think I could write Eddie as me without becoming too vain. However, a lot of set-pieces in the book did actually happen to me or to people I know. That is the only way I could be sure I was not getting carried away with unrealistic comedy.


The novel is laugh-out-loud- funny. I laughed aloud when Uncle Thilak says "But he's white" when he meets him for the first time and pat comes the reply from Eddie: "But, I tan well".  Humour in the novel is  organic. Not forced. Are you a 'funny man' in real life? Do friends and family say "Chhimi you are hell of a joker"?

That’s fantastic to hear that you laughed out loud. Wherever I go with my wife, she makes sure she laughs very loudly when I tell a joke with a straight face so that people do not take me too seriously. I embarrass her on a constant basis.

My mother, brother, sister, niece and nephew are jokers; my two year old daughter is already a joker. She wakes in the middle of the night saying, ‘I’ve done poo poo,’ then when I rush to check she says, ‘Juuuust Joooking!’ That makes me very proud.

I will never say I am funny, but I do always try to be. Having said that, in writing the novel I didn’t go out of my way to make it humorous, so I am pleased that you say it did not seem forced. I just get into a zone and write and sometimes I read it back and can laugh at my own jokes which I cannot do in real life. I used to teach until I realized my classes were 30% syllabus, 70% jokes, but at least I think it kept the students awake and relaxed them a little. Actually it was probably more like 20% to 80%.

On the surface, in the novel it seems like Eddie takes a lot of beating due to his skin colour. But when you really listen to the way  Eddie tells his story you notice that he too is racist in his own way -- in his observations about the native people, their behaviour and their country. Do you agree? 

I battled over whether the title, The Amazing Racist, referred to Thilak, Eddie, Sri Lanka or the world in general. There’s a great song in the musical Avenue Q called ‘Everyone’s a Little Bit Racist’ and I think that holds true. Certainly, you’re absolutely right, Eddie is possibly more racist than Thilak in that he doesn’t realize he is. Instead he patronizes Sri Lankans and that is something very common that I have observed with foreigners, especially those less travelled, when they come to subcontinent.

The novel is doing very well in Sri Lanka. Looks like they can laugh at themselves, Otherwise for all the fun you have poked at them in the book they might be burning your book. 
Yes, the shops in Sri Lanka keep running out of stock and I believe Hachette India have been forced into a second print run just a week or two after the book was released here. Sri Lankans are the world champions at laughing at themselves. In fact, if I don’t laugh at my friends here they get offended.



What are some of the comments that you have received from Sri Lankans about the book?

It’s not been out long, but everyone has told me they have an uncle like Thilak. Perhaps the most pleasing comment I got was when a friend told me that I had got the emotions of child custody battles just right. I guess all I needed was the incredible love I have for my daughter to understand how painful that could be.

My friends have been very positive about the book because they know I use real people and real names in my writing so they are suddenly all much nicer people. Sri Lankans love giving helpful advice so I have also been told how I should change the book even though it is very much in print already.

It’s not been out long enough to get offensive comments but I remember once when I used to write a column, this lady came up to me at a wedding and told me that my writing was becoming a bit boring and then added that I was looking a bit plump and that I wasn’t ageing well. 

Is writing something that you have always wanted to do -- like from the time you jumped out of the womb -- or something that you chanced upon? 

Apparently I was always a storyteller and wrote a comedy song called ‘stinky bum bum’ aged two – there’s a good chance I stole it from someone else, I’m not sure. Through school I would write comedy poems to read on the coach to football or cricket matches. From the age of 15 whilst at boarding school, I started writing stories which I hoped would develop into novels but I kept turning the protagonist into a half-Tibetan, half-English fifteen year-old boarder of impeccable talent and sex appeal.


Are you a full-time writer? If yes, then you must be a very rich man :)

I work at a school we own, in management, and I also help with university applications. I used to teach economics and some sports too. I have done the maths on how much I will earn per book, and it’s not pretty, so I can’t imagine myself ever being a full-time writer. I stumbled into education really, but the job satisfaction is second to none.

What's your writing process?

When I am really into the process, I go to school early and try to write before anyone else gets there. A couple of hours a day and I can whack out 2000 words without thinking much. At night I will read over what I have written and make a mental plan for the next day, sending myself emails as reminders. I don’t plan or research a great deal, so I never have writer’s block. Often this means I write junk but, even in writing that junk I am learning.

How long did it take to write your first novel?

The first draft of this took about two months. The first novel I ever wrote stayed with me for about two years, but I was using it as training. It was rubbish, but I learnt so much from it. I did have a few characters I am proud of and I still steal bits from that first novel.

Is writing for you like making love or giving birth? 

I do kind of close my eyes, write and hope I don’t disappoint so I guess there are some similarities. In terms of childbirth, I knew what the cover of my book looked like before it was printed, but when I saw my daughter for the first time, that really was the first time.

Any writing quirks?

Unfortunately not. I just don’t take it too seriously, so I don’t need to face east or chant while I write. I’ve read of sportsmen who get into a zone when they get onto a pitch. I think that is a bit like me at a computer. I honestly have no idea where I am going, I just write and enjoy it.

Your first thought when you received your first copy of the book?

My first thought was, no more economy class flying for me. Then I checked the price of business class and my contract for royalties and decided I would stick with economy after all. I was also quite scared. I thought that a lot of people had put a lot of time and money into this book. It better sell.

Authors you like to read. And why?

I am a bit of a good time Charlie when it comes to reading; my favourite author tends to be the last one I have read. Having said that, I do love Sri Lankan books like Chinaman and Island of a Thousand Mirrors because they are familiar in some ways. It is the life I am used to, and Sri Lanka is an amazing setting for any novel because of its diversity, humour and the civil war. My second novel has been influenced by the writing styles of Chuck Palahniuk and Mohsin Hamid. I like their punchy, cool and modern voices.

Genres you hate to read and why?

Fantasy. I just can’t do it, I don’t know why. Maybe because I see so many opportunities for humour in it, but I think it takes itself too seriously. To be fair, I have never given it a chance. I might love it.


Tell us about your wife and child. What role do they play in your writing career?

My daughter, Tara, is everything to me and it has changed me in that I no longer think about myself much. For example, I now look at other people in photographs rather than myself! This makes me more observant. My wife is my best friend. She is an avid reader who has read the first page of a thousand books, but that’s all. I discuss plot points with her and she always says, ‘Oh My God, that’s your best ever’ and then she shops online.

What are you working on next?

My next book, Panther, is about a former child soldier gaining a cricket scholarship to an elite international school.   The problems of school, first crushes and sinister school masters, are just one part of his life as he tries to forget a far more dangerous world and battles the anger that is born of his terrible past. It will be sent the edits for that soon as it comes out in July.

Currently, I am writing my third novel about a woman who was adopted as a baby, returning to Sri Lanka to connect with her eccentric birth mother, revealing some horrible family secrets. Since the main character is based on someone I know and see often, I am being overwhelmed with new real-life comedy material. This is the first book I have written which makes me cry with laughter while I am writing it – this person, without knowing it, is that funny.

Now for the mundane and mandatory questions. Sorry, gotta ask them....

what inspires you?

Business Class. Also a sporting hero, a movie, or a cheesy speech. Most of all, I am inspired by my daughter’s unconditional love and how selfless my mother and wife are. 

Your dream novel

Catch 22 – humour without being slapstick. Very hard to find.

Something that you wish you had written

The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared. The only book I have ever read that has made me laugh out loud. 

Something that you would never write even if Bill Gates promised you all his wealth.

I would never write a bad word about Bill Gates, just in case. Without sounding like a mercenary, I think I would write anything since there is scope to find either humour or emotion in every topic, however despicable.  

If you are allowed to take one book with you to heaven (we are going to heaven, right?) what would it be?

I would have to take one of mine because with all the time I had there I could try to improve it. Also, then my father could read it.

Your other pursuits in life

Sports, more passive than active these days, TV, films, good food and the gym.

Family is huge for me, as are animals. We took in a street dog at the same time my book came out and named him Eddie Trusted.

On your work desk

Pictures of my dogs, my daughter. Otherwise a hell of a mess, but I know where everything is.

Describe yourself as a writer

If I was to use an analogy I would say, as a writer, I am like the cricketer who just goes out and plays the game for enjoyment rather than being tied down by scoreboard pressure. I don’t take myself too seriously. This is a hobby which I love. I didn’t need to be published, but of course that makes it much better. If ten people told me my writing was terrible, I would probably agree with them, but still do it for fun.

Is the person and the writer two different entities or are they one and the same?

I hope they are the same because after tax and agent fees, I don’t want my royalties to be split any further






Tuesday, 3 March 2015

TRENDSETTER — YASIN DENMAMODE, FASHION DESIGNER FROM MAURITIUS


TRENDSETTERS is a new series in Nila Tamaraa Fashion that focuses on people who march to their own drumbeat. Kick-starting the series is the ebullient Yasin Denmamode, a young fashion designer, of menswear, from Mauritius. 


From Boy Groove collection. All photographs in this blogpost is courtesy BOY GROOVE


Yasin Denmamode grew up in the beautiful island nation of Mauritius where his mother was a stylist. When Yasin was only 14, his mother decided to open a shop of her own. Since then fabrics and embroideries have been a part of Yasin’s life. “I grew up in this environment — watching and silently learning from her,” Yasin tells us from Mauritius, where he is now a young and ‘rocking-the-island’ kinda fashion designer with his own brand of clothing called BOY GROOVE.

Necessity is the mother of all inventions, might be a cliché, but in Yasin’s case, it is true to his leather soles. In September 2012, when he returned home after completing his education abroad, he met his longtime friend David Stafford. “I started complaining that I couldn’t find clothes for me here (in Mauritius),” recalls Yasin. “Everything seemed to be insipid or mass produced or both. David too had the same problem.” The duo decided to do something about it — two months later, on the 12th December 2012, they opened the doors of Boy Groove to the world. “Basically, Boy Groove started over coffee and complaints…” laughs Yasin.

Yasin is not too kind about men’s fashion in Mauritius. “Men’s fashion is highly limited here. There’s a tendency for uniformity and practicality; there’s very little creativity for menswear here.”

He and David, along with  Boy Groove, plan to change all that. “People should understand that dressing up like everyone else is NOT fashion,” says Yasin who always stood out in a crowd. (Read what was written about him a few years ago HERE).

Originality is the mission statement of Boy Groove. “When anyone walks into the shop, he should be able to find at least a pair of jeans and something to go with it for an affordable price — and he should be able to be different from the masses." (At BOY GROOVE the price range is between Rs.350-1200)


The signature style of Boy Groove is a blend of Yasin’s and David’s “totally different and diametrically opposed tastes”. David is more pop - rock (think Jeremy Scott, coco Rocha and Naomi Campbell; “He swears by them, day and night.”) and Yasin is glam- chic (think Elizabeth Taylor and Joan Collins). Yes, Yasin’s inspirations and fashion icons are timeless WOMEN. Inspired by the warp and weave of their style he designs MENSWEAR. Now, how cool is that!

 “We do get inspired (by what’s on the international fashion ramps) but we hate trends,” says Yasin. Thank god, for small mercies!


 Boy Groove makes it a point to have only limited editions of all their clothing. “We never make more than five pieces of a model,” says Yasin. This season, Boy Groove is focusing on their new line of kurtas — light, airy, with embroidery and sober. The line would be out in June. By December, they are planning a Jeremy Scott inspired collection.

Ask Yasin what’s the one thing about fashion that sticks out for him and he will have you know that it is the ability of the fashion industry being the only industry which still offers possibilities to create. “And has space for originality without many constraints. New ideas, blends, fabrics and methods are always coming up. Also, for ages, fashion has been a way of changing society, helping it move forward. The fashion industry even expressed and supported some movements that have directed the course of history. It is one of the rare domains where influences of many cultures clash to give birth to beauty. All these aspects of the fashion world show that it has many faces and goals than just ‘dressing up people’.”

And in their own way, Yasin and David are making their contribution to men’s fashion in their homeland. They have cast a lil’ stone in this island nation, which is bound to have a ripple effect in times to come.

BOY GROOVE, 10, Dr.Hassen Sakir St (Ex Pagoda St), Plaine Verte, Port Louis, Mauritius.
TEL: +230 5 9710855/ 5 4733798

ON THE SIDELINE WITH Yasin Denmamode


Yasin De Nmamode
Favourite fashion icon:  The greatest fashion icon of all times is and will always be Elizabeth Taylor. She was fashion, fashion was her. She could wear everything and carry it off. In case of doubt, just overload everything with diamonds and it works. Who else would have dared so that? Whatever her look was, whatever she was wearing was instantly a hit of her personality.
Joan Collins also falls in that category, and I admire her for the same reasons. She was the one who made shoulder pads a thing in the 80’s. Without shoulder pads, vintage couldn’t exist today and it’s all due to her…
Then of course, there’s the very under-rated Elsa Schiaparelli. In a time when fashion was rather conventional, she brought the “shocking pink”; she was the first one to have a theme collection. She overturned many rules and imposed her new ones which are still being respected today. Sadly, very little credit is given to her for her contribution…

Favourite garment: My Cashmere cape, without any doubt! It goes with absolutely everything!

One piece of clothing I cannot live without: The day I lose my Courrèges-cut turquoise raincoat, I think my life would be over. I stumbled across it in a thrift shop at a time when my wardrobe was quite limited, and finding it was a sign that the situation wouldn’t last for long. It really has brought me luck!

Favourite accessory: Right now, it is my phone and its various casings.

Favourite designer: Right now, it is Ron Dutta.

One piece of fashion statement men shouldn’t shy away from: Low cut slim or skinny jeans. How come it hasn’t yet become THE modern man iconic wear?

One piece of clothing men shouldn't be caught dead in: Baggy jeans. Never, EVER, EVER, EVER wear those if you want to have your respectability intact. And forget the coloured jeans. It’s ‘has-been’ now.

Right corporate attire that is not boring would be: Classic with a touch of flashy. Once, I advised the Editor-in-chief of a newspaper to wear a black suit, white shirt, fuchsia tie and laces of his black shoes matching the tie. It worked wonders.

The right date outfit for a guy: Skinny jeans. Paired with anything ranging from a slim cut shirt with flowery prints or a body fit T-shirt. Throw on a blazer, depending on where you will be…

Current trend in men’s fashion: Cartoons and video-games characters printed on over-sized T-Shirts. THE look to sport this season.

You’d like to be born again as: Elsa Schiaparelli just to be able to impose new ideas and new trends.

For Yasin’s Native Insight on Mauritius, click here


Friday, 13 February 2015

THE PINK SHEEP — 18 SHORT STORIES ABOUT GAY LIFE IN SOUTH INDIA

MAHESH NATARAJAN AUTHOR OF THE PINK SHEEP
Braving the cold Delhi evening, a motley crowd had gathered in the auditorium to hear the author. He was reading a passage from his book:
Richie fell asleep. His head was on my lap, and his comic book on his chest…He looked beautiful…
“Excuse me…” A shrill voice from the front row splintered the mellifluous words of the author floating in the silence of the room. Collective annoyance glared at the raised bangle-clad hand. It was 76 years old and wrinkled with age.

“I have a question,” said the lady. “Have you never been attracted to a woman?” The room gasped.

The author smiled. “No m’am. I am gay.”

“Ever?” She persisted.

“Never,” he said.

Bangalore-based author Mahesh Natarajan’s book The Pink Sheep is not a contender for any literary prize. The plot and its characters are ordinary. It is this underlying commonality that makes it the first queer book of its kind. 

The Pink Sheep is a collection of 18 short stories that talks about gay life in conservative south India.

Born in an orthodox, middle-class Brahmin family in Madurai, Mahesh’s life couldn’t have been squar-er. “I came out of the closet very slowly,” says Mahesh, who for a very long time didn’t know he was ‘in’ the closet to begin with. “I did not accept my sexuality till I was about 18-years-old. It disturbed me a great deal that I was getting attracted to boys. Given my orthodox family background and the place I grew up there was no reference point for what I was feeling or how to deal with it.” 

Young Mahesh was a voracious reader. And the books that he read told him that same-sex attraction was just a phase in most people’s lives. “So I was waiting for my phase to pass and hoping that one day I’d actually get attracted to a woman.” That never happened. Instead he fell in love with a classmate in college. “It finally dawned on me that I was gay.”


The realization was traumatic. “All along, I had grown up with this image that once the phase of same-sex-attraction is over, I’d meet a woman, marry her, have children and raise a family, just like my father and all the people around me did. They were my reference points of how life should be. Awareness of my sexuality, though brought relief from confusion about my orientation, it also wiped away

Sunday, 8 February 2015

INTERVIEW WITH ANJAN SUNDARAM — AUTHOR OF STRINGER - A REPORTER'S JOURNEY IN THE CONGO

Anjan Sundaram 
He’s a man with a ticking brain. The kind people want on their pay rolls. When Goldman Sachs offered Anjan a job, he went up to their Manhattan skyscraper, looked down from a cubicle and thought, “You’ve got to pay me a lot of money to work here…” And then walked out. The cubicles didn’t inspire him. He couldn’t see himself spending the rest of his life in places like that. He preferred to live in a place almost forgotten by the world, the Congo. In a country (with its thriving gun culture) where there is a constant battle between life and death and where you could easily become ‘collateral damage’ …Anjan felt at ease. One Hundred Years of Solitude by Marquez was a book that marked Anjan when he was in his late teens. He felt it touched something about how he wanted to live – reckless, but still thoughtful. He’s a freelance journalist who’s reported from Africa for the New York Times and AP. His book Stringer is what it says it is; a reporter’s journey in the Congo and it’s riveting.
You studied mathematics at Yale. Guys who do that hardly become journalists. What changed for you?
In the 19th century, mathematics changed radically. It became divorced from the world, essentially. I studied abstract algebra, and I felt I needed to connect with the world, to understand it. Mathematics, interesting and challenging, was no longer fulfilling that need.
 How does one learn to write creative non-fiction while crunching numbers? 
It started with a writing class I took at Yale. I remember thinking that I had found what I wanted to do in life. But the transition from mathematics took several years. I started with short stories, then became a journalist, then wrote   Stringer  .
What you studied in Yale… is it of any use to you now as a writer, a journalist?  
Abstract algebra resembles writing in that it is a creative field. In algebra,

Sunday, 5 October 2014

84-YEAR-OLD MAN CALLED 'BABY' WHO RUNS A CATERING BUSINESS WITH NO NAME, WHICH THE LOCALS SWEAR BY

 
Baby Narayana Iyer (84) Photo: Nila Tamaraa
He is 83-years-old. But to the people living in and around Ulsoor, Bangalore, he will always be — Baby Iyer.

Narayana Iyer, originally from Palakad in Kerala, was born and brought up in Bangalore. Iyer Sr always fondly called his first born "Baby" and the "pet name stuck".

I met Baby Iyer on one of my walkabouts in Ulsoor. Clad in a not-so-white dhoti and half-sleeved white shirt, the octogenarian was frail looking ("But I have no diabetes, cholestrol or any other diseases," he tells me) even as he leaned, for support, on the iron gate of an old-fashioned, old-looking, yellowed with age house. On one side of the gate was tied a poster that announced the availability of Home made products….Catering undertaken for all small functions.

There is something utterly delightful about striking up a conversation with an absolute stranger. And if the stranger happens to be someone like Baby Iyer — a man full of stories — the joy is doubled. So, there I stood — on the narrow road with just a few houses on either side and a 3000-year-old temple at one end — chatting with a man who seemed like he welcomed a ‘willing ear’. We stood there exchanging stories — with no agenda. Bliss!

Tuesday, 30 September 2014

VERA BUGATTI'S 3D STREET ART

Raft of human rights
Bang in the middle of the asphalted street in Sarasota, USA, was the raft carrying Mahatma Gandhi, Martin Luther King, Nelson Mandela, Aung San Suu Kyi, Gino Strada, Rigoberta Menchu and the young Malala, fighting a storm. They seemed real — almost! At a vantage point was a camera mounted on a tripod and a line of people snaking behind it; they were queuing up to see the historical figures — in 3D. Created by Italian street painter, Vera Bugatti, The raft of human rights was inspired by the 19th century French artist Theodore Gericault's work, Le Radeau de la Meduse.

Vera, born in Brescia, Italy, comes from the land of street painters or madonnaris (called so because of their practice of drawing images of the Madonna or Mother Mary). The 35-year-old artist has been painting the streets — of Italy, Netherlands, France, Germany, Ireland, Croatia, USA and Mexico — with captivating art for the last seven years, and winning numerous awards and prizes.

Monday, 22 September 2014

SAMANTHA LEE'S FOOD ART

Tweet birdie, tweet! Ingredients: Toast, cream cheese, strawberries,grapes or blueberry 

Samantha Lee, a Malaysian, was pregnant with her second child. It was December 2008. Her first born was 19 months old. Samantha's biggest dilemma was how to get her older child to eat independently after her baby sister arrives. Since mommy would be busy with the newborn. 

How do you make a child eat vegetables, rice, fish and other healthy foods that they usually hate — independently, voluntarily and happily? That's asking for the moon on a platter. Well, Samantha didn't ask for a moon....instead she created one — on a plate.
Samantha Lee

She began making attractive food art that told captivating stories. Her daughter was hooked. And to mommy's delight her two-year-old ate every last morsel on the plate. "Food art made her look forward to every meal," Samantha says. It made eating and family dinners "so much more fun". 


Until August 2011, Samantha's food art was a family affair. Then one day, Samantha clicked a photo of her art-on-the-plate and Instagrammed it. Bingo!
Fans came in droves and soon Samantha's hobby turned into a food-art series. Currently, she has more than 465,900 followers — a number that keeps growing by the 'plate'. 


Ingredients: Onigiri (ketchup + rice) and Nori (seasweed)
Cooking three meals a day, 365 days, till your child grows wings and flees the coup is an ongoing nightmare for any mother. For Samantha, it doesn't stop with cooking the meals alone, she also turns them into stories of people, places, animals and so on. She has created more than 450-500 plates of food art till now. The art appears on the table either during lunch or dinner atleast four times a week. "Can't do more than that," she quips. 

Bonjour

Samantha is constantly thinking about things like "What ingredients should I use? How should I present it? Can I give a twist to the tale? How to reduce wastage?" She first sketches her ideas, which is based on the contents in her fridge. This way, she says, she is organised and "does not waste food. The aim is to keep it healthy, simple and avoid wastage." She also keeps the drawing in front of her when she cooks the food. Samanth uses scissors, knife and a toothpick to create her food art. 


Michael Jackson. Ingredients: Onigiri, charcoal noodle, Nori, cheese and sesame seed for buttons

Her favourites? "Batman, Harry Potter, Wednesday Addam...and all my celebrity-food art." Her most challenging work so far? "Michael Jackson," she says. "He is the King of Pop. And there was tremendous pressure to get the essence of his spirit and a semblance of resemblance." She nailed it. It takes Samantha around one to one-and-half hours to create an art work. "And that includes cooking the meal right from scratch." She loves to work with rice, seaweed and vegetables. Rice makes for a good base, while seaweed is used to add details and vegetables come handy to make outfits. 


Snoopy's starry summer night. Ingredients: Onigiri (rice ball), Nori (seaweed) and cheese
Even as her children are growing up, Samantha's art is taking her on a different trail: She hopes to publish a cookbook with her food art soon, and promote positive parenting through workshops and "inspiring talks". 



Simpson: Ingredients — pancakes, blueberry, strawberry, cape gooseberry, choco chips for the eyes and choco icing for the lines.

Though Samantha's hard work results in fascinating art, it is ephemeral — gobbled up within minutes; disappearing into a dark hole, literally. But that's her prize, Samantha says. "The original purpose of food is to savour it. So I'm happy to see my daughters (who are now four and six years old) enjoy their food wholeheartedly." That's burpy-love for you. After all there is no love sincerer than the love of food.